VISWAMANDIRAM

The own house of Sri Vishwamji which is in the Vth lane of Ananda Tirtha Agraharam in Guntur came it be popularly known as “Viswam Masterji’s house”. The portion which he took on rent in Railpet in the house of Sri Kuppa Satyanarayana Sastri’s hous was called “Viswamindir” in the beginning. In that portion, there was a verandah, a small room with some open space at the back of it. Behind that there was a tiled house including a kitchen, backyard and a well. In the room adjacent to the verandah, Masterji used to do puja and reach the students. That room could accommodate as many as twenty to twenty five students. Every one including Masterji used to sit on the floor only. There was no furniture in that room. If more number of visitors were there, they used to sit either in the front of the verandah or in the open space in the rear. From 10a.m. to 10p.m. many people used to visit the place for the blessings of Masterji. Masterji has tremendous patience. He used to talk to every one of them very affectionately and satisfy each one of them. The touch of his hand, his affectionate glance, the vibhuti (ash) given by him became very valuable for the devotees. Repetition of the great mantra given by him “Om Sri Sairam Guru Deva Datta” used to fulfill all the desires of the devotees. More than anything also the love and affection showered by him gave lot of self-confidence to the devotees. Day by day the number of devotees increased. It was their faith that a mere visit to Viswamandir would fetch them peace of mind.

The board on which the word “ Viswamandir” was painted beautifully and kept at the entrance in the verandah welcomed the devotees. Later on the same board was shifted to Krishna Nagar. On the top of the board there was a photograph of Jesus Christ and by the side of that there was a photograph of Omkar, Gautama Buddha, Shirdi Sai Baba, and Dattatreya Swamy. Inside the room there is the Puja Mandirm of Masterji, in which several photographs of gods and goddesses can be seen. The room is beautifully decorated with the photographs of Dattatreya Swamy, Sri Narasimha Saraswathy, Sri Vasudevananda Saraswaty, Bhagwan Sri Datyasai Baba, Shirdi Sai Baba, Sri Vallabha, Raghavendra Swamy, Aravinda yogi, Sri Mata, Ramakrishna Paramahamsa, Jillellamudi Amma, Master E.K., Master C.V.V., Gayatri Devi, Sir Krishna, Sridhara Maharaj and Dattatreya Guru Maharaj.

His puja has got its own specialty. There was a big photograph of Sri Dattatreya Swamy, under that the photograph of Narsimha Saraswati, in front of it on the table, the idol of Shirdi Sai Baba (the idol of Shirdi Sai Baba was presented to him by Sri Akula Koteswara Rao), infront of it in the silver vessel the sandalwood paste made into a lak (presented to him by Sri Madhava Rama Sarma) and on the top of it the silver plate consisting of small silver plate consisting of small silver feet and the idol of Dattatreya Swamy. Masterji used to sit in front of the Mandir in the room. By his side there were turmeric-covered rice (Akshintalu), turmeric, sindhur, a vessel containing camphor. Agarbathis, coconuts, Bananas, Apples and other fruits all offered by the devotees and visitors. On either side of the Mandirm, there were Lamps. Audience used to sit spell bound watching the puja performed by Masterji.

Masterji himself was very methodical in doing the puja – keeping the Banana’s or bits of Banana in all the eight corners (Ashtadisa) of Dutta’s idol, sprinkling turmeric, kumkum and yellow rice, giving Marati on the all the eight sides, and breaking coconuts. After breaking the coconuts, on either side of the photos and the idols, he used to keep at those spots coconut pieces or fruits. Before commencing the puja, all the photographs were decorated with flower garlands. At the time of giving Harati by Masterji, e

Very one was supposed to stand. The puja ended with the singing of melodious songs such as “Trigunatmakatai Murthy Datta He Jana”, “ Narasimha Saraswatge Layamurthyge”, etc.

Masterji used to give a lighted Agarbatti to each one of the devotees and make them offer Dhupam, Sprinkle Akshatas and do Harati. A lot of preference was given by him to Karpura Harati. Just as Shirdi Sai Baba lighted dhuni and destroyed the karmas of his devotees, so also Viswamji used to burn camphor liberally with a view to destroy the harmful effects of the evil Karmas of his devotees. As a part of the puja, an unusually large number of coconuts were broken and offered to the gods. From times immemorial in India, especially in South India, lines were cut and coconuts and Bengal gram dhal were offered to gods to establish peace. Traditionally, in South India coconut occupies a very significant place in Puja. Many people are unaware that coconuts are especially used for establishing peace. People are under the impression that like any other fruit coconuts also are used only as offering (Nivedam) to god. All the negative forces which trouble us are in the Rudra Ganam, Rudra has power over death and controls it. Hence we call him as Mrityunjaya and Mahakala. Ganesh is the head of this Rudra Gana. Ganesh and Rudra will destroy the negative forces. So Masterji used to break many coconuts to pacify them.

Usually we are afraid of the negative forces. But Masterji assures us that we need not be afraid of them at all. Negative as well as positive forces exist side by side in life. Electricity will be generated only when negative charge and positive charge are joined with each other. When there is a clash between negative forces and positive forces, the negative forces get defeated, handover their power to the positive forces, enrich the life and disappear. Good and bad, both are needed. This was mentioned by Bhagavdgita as godly characteristics and demonish characteristics. Even though they work against each other, they end up in this positive way. To do a good thing, one has to fight against a bad thing. When the bicycle is on the stand, however much the wheel is rotated, the bicycle cannot move forward since there is no force opposing it, namely friction.

Hence when the bad thing motivates the man he works against the normal order and gets defeated in the process it transfers its power to the concerned person and disappears. Both for the good and bad forces creator is the only one. Divine force takes birth for the destruction of evil forces; the divine force kills the evil force. That means the evil force will join the universal force. Vishnu Puranam says that Vishnu takes birth again and again to destroy the evil. When the human being gives up the evil thoughts and devilish tendencies, at the same time developing the divine power he becomes very powerful. During his discourses very often Masterji refers to the same thing in the form of a story. The sculptor chips off the unwanted material from the stone and moulds the stone into a fantastic idol. As the idol contains only all that is good, it becomes worthy of being worshipped by the people. Likewise every human being has divinity as well as negative forces and attainment of divinity is known as sadhana. Sadhana can reap good results, only when it is done with body, mind and spirit. First of all we have to realise that our body is a temple and try to keep it pure.

In the beginning only the students of Masterji in the school where he was teaching were his disciples. Slowly some of the bigwigs of the town started going to his room. Sri Meduri Nageswara Rao, Lingamsetti Eswara Rao, Dechiraju Venkat Rao, Vidwan Gogineni Kanakyya, Gunturu Ababta Narayana, Dr. Patri Harivithal Rao, Mattupalli Siva Subbaraya Gupta, Akula Koteswara Rao, Dr. Jagannadham, Dr. Jyotsna, Manikona Raja Rao, Narshima Rao, Dr. Amarendra, Dr. Karunasree, Jaammalamdaka Madhavarama Sarma. Municipal manager of Guntur, Raju and Gobburu Satyanarayana were among them. Many doctors, advocates, lecturers, teachers, businessmen, employees and students of Guntur used to visit Viswamandir very regularly. As Masterji’s miracles spread far and wide people from far off villages also started visiting Viswamandir. Absolute silence and quite pervaded the atmosphere even when Viswamandir was overcrowded with devotees.

Masterji’s personal work, such as cleaning the puja room, arranging the things required for the puja, etc. was looked after by Radhika, the daughter of Sri Kutumba Rama Sastry and grand daughter of Sri Kuppa Satyanarayana Sastry, the land lord of the house where Masterji was residing as tenant. Despite her young age Radhika used to serve Masterji with great respect, devotion and high sense if responsibility. Words are not enough to elaborate the innumerable divine experiences of Radhika at the feet of Masterji; Masterji also bestowed special affection on her. While Radhika helped Masterji in arranging the things for the puja programme, his other students, especially Murthy and Sai, assisted Masterji in the outdoor work. Masterji took ample care of his students. This is evident from the narration of Mallikarjuna (Mattupalli Siva Subba Raya Gupta’s son) Sai and Murthy, the faithful and beloved students of Masterji.

Everyday aster performing puja Masterji used to give Harati at 12 noon and again at 7pm till10 pm. He used to attend to the personal problems of the devotees very patiently. At 9p, Sir Akula Koteswara Rao, regularly went to Masterji, took him on his scooter to Anada Tirtha Agraharam to drop him in his own house. When we observe Sri Koteswara Rao serving Masterji with a lot of devotion and dedication we are reminded of Sri Anjaneya serving Sri Rama. Sri Koteswara Rao is the eldest son of Sri Akula Seshagiri Rao, a famous gold and silver merchant of Guntur. Even though he is born in a very rich family Sri Koteswara Rao is very simple, kind and magnanimous person. “Behind every successful man there is a woman”. Sri Akula Koteswara Rao’s wife, Smt. Kamaswari is equally devoted and dedicated, if not more, to Masterji prior to the construction of a new house at Krishna Nagar, Sri Koteswara Rao stayed at Gunturuvarithora. Every one, including persons younger to her used to call Smt Kameswari as Aunty. Many a times Masterji also referred to her as Aunty. Mr. and Mrs. Koteswara Rao only heard about Masterji, but could not meet him until 1986. In 1986 Masterji planned to go to Shirdi. A special bus was arranged for the purpose and allotment of seates was made for the devotees. As one of the devotees failed to turn up, one seat fell vacant. Harmonist of Sri Satya Sai Seva Samiti informed Mrs. Kamaswari about it to her good luck. Smt Eswari, having already decided to go to Shirdi, approached Masterji. That was her first meeting with Masterji. After offering Namaaskaram, she took his permission to join the party going on pilgrimage to Shirdi in the special bus organized by Masterji.

During the course of the travel, she fully realized that Masterji was an embodiment of love and affection, in short a God-man.

During the return trip to Guntur from Shirdi, Smt Eswari had an attack of Diarrhea and became very weak. When she suffered from the same disease in Guntur, some time back, she has to be hospitalized and given many bottles of saline apart from medicines. But now without administering any medicines, Masterji just sprinkled some Vibhuti in her mouth, Stood by her seat, keeping one of his hands on her head very gently as though blessing her. Masterji continued in that posture during the entire journey passing on energy to her. By the next morning when the bus reached Ganapuram all the pilgrims got down from the bus at the choultry, the place allotted to them for lodging. Mrs. Eswari too who got relief from diarrhea and weakness had her normal bathe and had been moving about cheerfully with others as though nothing has happened. Those people who saw her ailing severely on the previous night were very much surprised to see her in that normal condition. On the previous night they were very much worried whether they would be able to see all the pilgrimage centers with that sick lady amidst them. On seeing Masterji’s abundant compassion and affection tears appeared in their eyes with joy. AS a result of this incident, Eswari developed immense faith in Masterji. For her Masterji was not an ordinary man but Sai Datta himself. Whenever Eswari remembered that incident, she used to ask herself, “ What would have been my fate had Masterji not blessed me on that day?” Masterji indeed gave her rebirth.

In Krishna Nagar third line, Sri Koteswara Rao constructed a house in 1986 and named it “Sri Nilayam”, He came to Masterji and requested him to visit the house and suggest any changes if required from the point of view of “Vastu”. In those days Masterji was staying in Railpet. He told Sri Koteswara Rao, as though through intuition, that he would be in their house within a couple of days. Later on one day he went to Sri Koteswara Rao’s house and sat on the threshold. Eswari who was very much surprised to see Masterji, immediately ran to him, bowed to him touching his feet and invited him to the room which is in the north east, and finally to the terrace by the stair case. First floor was not yet built. It was there only in the rear. After reaching the terrace, Masterji spread his shawl on the floor and lied down on it nicely. Eswari was very much astonished to see Masterji lying so comfortably and peacefully on the terrace. Soon he went to sleep. Later on Smt. Akula Koteshwara Rao constructed the first floor and Masterji converted it into Vishwamandir and started staying in it. In 1988 Mr. and Mrs. Koteshwara Rao celebrated the 44^th birthday of Masterji in their own house, that is Viswamandir. Since then Masterji’s birthday celebrations have been going on there itself. During his 45^th birthday celebrations he made a mention of this first visit to Sri Nilayam and said “ On that day as I was moving in that house, I felt that it was my residence. In order to convey that I would stay in that house thereafter I slept on the terrace. Just as I am indebted to my mother who gave this body, so also I an indebted to Mrs. Eswari, the wife of Sri Akula Koteshwara Rao. While my own mother gave me this body god has given me another mother in the form of Eswari, the wife of Sri Akula Koteshwara Rao”. Shri and Smt. Akula Koteshwara Rao are very lucky to be blessed by Masterji and to receive his love and affection. Their steadfast devotion drew Masterji towards them. Just as in the case of Yasoda to Sri Krishna, Baija Bai to Shirdinath, Karanam Subbamma to Sri Satya Sai Baba, also in the case of Masterji, Eswari became greater than his real mother. Mrs. Eswari looked after Masterji more affectionately than her own son Suresh and daughter Madhuri. If Masterji did not eat rice she used to give coffee, butter milk, tenser coconut water etc., from time to time, ignoring her own problems. Eswari served Masterji whole heartedly in a spirit of sacrifice. Shri and Smt. Akula Koteshwara Rao considered Masterji as an incarnation of Dattatreya Swamy and worshipped him. Madhuri who was hardly ten years old received more love and affection from Masterji than her parents. Masterji taught her Dattamahamantram and the songs composed by him during childhood, They used to accompany Masterii wherever he went.

In the December of 1988 Masterji celebrated Datta Jayanthi in Srinavas Kalyana Mandapam. After that he brought Datta Padukas, idols of Datta, Shirdi Sai Baba, Photos of Narshima Saraswati Swamy, Sri Dattatreya guru Maharaj etc. from Railpet, gave them to Eswari and told her to keep them in the puja room in her house to worship them. Slowly he stopped going to his room in Railpet. He decided not to vacate the room in Railpet till the marriage of Radhika, the grand daughter of Sri Kuppa Satyanarayana Sastry. Radhika got married on 18^th may 1989. After Guru Poornima celebrations Masterji vacated the room in Railpet shifted to Sri Koteswara Rao’s house for good and named it as Viswa Mandir”.

In Viswa Mandir housed in Railpet Viswamji used to celebrate Guru Poornima, Fridays of Sravana Masam, Ganesh Chaturdhi, Navarathri, Deepavali, Datta Jayanthy etc. He used to conduct Abhishekam and poojas on a grand scale on all auspicious days including Varalakshmi pooja on the second Friday in the month of Sravanam. Vishwamji considered Sri Tadepalli Raghava Narayana Sastry, Sri Madhava Rama Sarma and Sri Karunasree as incarnations of Brhama, Vishnu and Siva respectively, and worshipped them as Dattatreya and accordingly honoured them in 1986. Very often literary discussions were organized in Vishwa Mandir in which celebrated poets and scholars participated. The great scholar Dr. Prasadaraya Kulapathy was honoured in 1987 by Masterji. From that year Masterji became more famous and many more scholars visited him. He attracted the intelligentsia and helped them gain self-confidence. Masterji gave a clarion call to the intelligentsia, that it was high time that they rid themselves of selfishness and utilize their intelligence, energy knowledge and wisdom for the good of the society, bringing about universal brotherhood in general and emotional creed, language or region. The call given by Masterji helped to create a sense of awareness among the intelligentsia. Certainly Masterji became a beacon light to the intelligentsia.

On seeing the photographs of Siddha Purushas, Sadgurus and sages in Railpet room, a doubt used to arise in the minds of visitors, as to “ which single God did Masterji worship?” Their line of thinking was like this: “ When so many photographs are kept facing us, on which particular picture of God can we concentrate?” It tool time for them to realize that Masterji kept so many photographs not for meditation actually, but solely to convey the message of unity in diversity in religious matters.

On 11^th November 1988 Masterji resigned his job as a teacher so that he could fully make himself available for the services of the society at large, and achievement of his goal in particular. His was a like of complete dedication to mankind. On 5^th March 1988 Masterji’s 44^th birthday was celebrated in a simple way, that being the first one of its kind in Master’s life to be celebrated. Even so it was a significant event. Masterji was born in 1944. For the first time his birthday was celebrated in 1988. Viewed from the standpoint of numerology it appears more significant. On Ugadi day of that year, two celebrities, namely Sri Madhava Rama Sarma and Sri Amarendra were honoured at a specially organized function presided over by Sri Vidya Sagar Sarma in the house of Sri Koteswara Rao.

After the celebration of Datta Jayanthi in 1988 in Sri Anna Srinivasa Rao Kalyana Mandapam, Masterji gave away as charity all the photographs and other similar things which he had been keeping in his room in Railpet. He gave his ring studded with pearl to Sri Kutumba Rao Sastry, the son of Kuppa Satyanarayana Sastry. On May 18^th May 1989 Radhika got married. As narrated earlier Masterji decided not to vacate the room in Railpet till Radhika was married. Hence after the marriage of Radhika and the celebration of Guru Purnima in 1989, Masterji shifted to the house of Sri Akula Koteswara Rao naming it Viswamandir.

In 1990 Masterji’s 46^th birthday was celebrated on a grand scale in Viswamandir. By this time, Sri Akula Koteswara Rao constructed the first floor consisting of a room for the residence of Masterji and a big hall with stage to conduct meetings and discourses. From that time onwards Bhajans, Poojas and meetings are being conducted there itself. Other big function such as Guru Purnima, Datta Jayanthi etc., were celebrated in Sri Anna Srinivas Kalyana Mandapam which was constructed by an ardent devotee of Masterji, Sri Anna Krishna Murthy.

On the occasion of his 45^th birthday celebrations on 5^th March 1989 Masterji hoisted the flag of Universal Integration in Viswamandir.

“If all the people assemble at one place it is just a meeting. It cannot be called an integration. Emotional integration is the real integration. When people adopt truthfulness, good character, culture, when people develop integrated personalities, then only peace will be established at the universal level. By the end of this century, India is going to emerge as a super power occupying a pride of place in the galaxy of nations in the world. The whole world then looks to India for guidance in the field of Science and peaceful living. That is what India is going to be in the next century. The invisible Parama Gurus, Siddhas and Yogis are necessary blessing us. That being so, it behoove on all the religions, leaders and intelligentsia of all walks of life to unite, at this juncture, shedding all their differences and strive for Universal brotherhood from a common platform. Otherwise our future generation will not excuse them”. Thus, Viswamji inspired the public on the occasion of the celebration of his birthday. With the same theme he composed a song and sang it himself on that occasion.

Viswamandir constructed by Sri Akula Koteswara Rao for Sri Viswayogi Viswamji is evergreen. The idol of Siddhi Vinayaka installed on the balcony in the North-East in the first floor attracts the attention of the devotees even while they are at the main entrance. On the left side of the main gate there is a fountain in the midst of which is the awe-inspiring idol of Bharat Mata. By her side there is a big statue of a lion, the vehicle of Barat Mata that might be the dream of Aravinda Yogi. Next we find a Verandah; there is a big hall, on the western side of which we find the beautiful photographs of Sri Satya Sai Baba in the showcase and a big wooden idol of Ganesh. Devotees immediately get attracted by a huge photo of Masterji. The rays emerging from the palm of Shirdi Sai Baba touch another photograph of Masterji symbolizing the fact that Masterji is the incarnation of Sai Baba.

Sri Viswayogi Viswamji with a shining and cheerful face majestically sits in his big cushioned chair facing main gate welcoming visitors whole-heartedly. He blesses the devotees affectionately for whom he is none other than an incarnation of Lord Dattatreya. As soon as devotees see Viswamji they spontaneously feel contended and happy as though their desire has been fulfilled and bow to him touching his feet with folded hands. Some will postrate before him. Sri Viswayogi Viswamji receives them very affectionately. He pats them on their back. In order to make Sushmanadi more energetic, he writes something on the spinal cord with his fingers on the spinal cord of the devotee? It may be ‘Om’, it may be ‘Sri’ or it may be ‘Dram’. When we observe it properly we come to know about it. When Swamiji writes something on the spinal cord, devotees feel as if something is passing through their nerves, and that they are in a state if sleep. Devotees very much like to sleep in the lap of Sri Viswamji forgetting their problems, difficulties, tensions, trials and tribulations.

In the case those who are subjected to mental tension because of the influences of evil forces, and who eager to get relief they touch the feet of Sri Viswamji with full and unstinted faith and devotion. The result is the desired relief! But instances are also not wanting when some devotees faint on touching Swamiji’s feet. Hence Viswamji warns such people not to touch his feet without prior permission. Words are not adequate to describer the happiness of the devotees when they receive kum-kum and vibhuti from Sri Viswamji. They leave that place with peace of mind and a sense of fulfillment.

Towards the left side of Masterji, i.e. towards the eastern side of the room, there is a photo of Swamiji in Dhyanamudra, under that there is a board with the words “OM SRI GURU DEVA DATTA” and OM inscribed on it. On the eastern side if the wall, the photos of Arvinda Yogi, Jillellamudi Amma, Sri Mata. Dattatreya Swamy catch the attention of the viewers. Mosaic flooring with a pleasing green and pink combination gives rest to the eyes and an experience of heaven on earth.

Sri Viswamji allows some of the devotees into the pooja mandir with the instruction to do namaskar. That pooja room contains some of the photos worshipped earlier by Masterji, in his room in Railpet. Masterji meditates in that room. On auspicious days special poojas, abhisshekams, saptasati recitation of lalita, Vishnu, and Datta Sahasranamam are conducted there. Peace and tranquility and quietude pervades the atmosphere in that room as well and no wonder devotees leave the room immensely pleased and satisfied.

On 1989 the first floor was constructed in order o host special meetings, conferences, scholarly discussions, concerts and some times marriages too. At the entry point of the staircases there is a board “Viswamandir” inscribed on it. After climbing up the staircase, one enters a spacious hall with a stage in its center touching the stage leading into tow rooms. AT the back if the stage on the wall a big mural painting of Geetopadesam attracts the attention of the viewers. Huge paintings of Goutama Buddha, Nataraja Swamy, Shirdi Sai Baba are also there inspiring the visitors.

Masterji installed the idol of Siddhi Vinayaka on the balcony which is towards the northeast of the building. Poojas are performed there invoking the blessings if Lord Ganesh. Masterji orders some of the devotees to worship Siddhi Vinayaka, breaking coconut an offering harti. There are so many instances if devotees whose wishes are fulfilled thereby. Masterji often stresses in his discourses that in their own interests the inmates of a house will do well to keep the idol of Vinayaka on the front side and that of Anjanyaswamy at the back side of the house. Masterji also explains its significance. He says that both Ganesha and Hunuman are experts in driving away the evil forces. Both of them transit power to their devotees. If one gives Kundalini power, other gives Prana Sakti (Longevity). In order to get rid of obstacles, Ganesh has to be worshipped. Ganesh should be worshipped for Chaitanya sakti (Kinetic energy). Viswamji, in a lighter vein, humorously says that Ganesh would drive away the evil forces with his trunk which hangs on his front side and Hanuman would drive away the evil forces with his tail which is at his back. Hence idol of Ganesh should be installed on the front side of the house where as that of Hanuman should be installed at the backside of the house.

All the paraphernalia required for conducting meetings such as mikes, tape recorders, carpets, curtains etc were procured with our giving a chance of hiring them from outside. Arrangements are also made for get a few of the famous quotations of Masterji painted in small boards like placards and displayed at prominent places. On the occasion of 46^th birthday celebrations of Masterji, Viswamanava Samaikyata Sansat was constituted with Masterji as its chairman and Sri G. Ramarayadu, Sri Gogineti Kanakaiah, Sri Dechiraju Venkat Rao, Ari Akula Koteswara Rao, Sri Jandhyala Papayya Sastry, Dr. C. Mallikarjuna Rao, Sri G.V.L Narsimha Rao, Sri Manakonda Raja Rao as members. Similarly an executive Committee of Viswamandir was formed, under the chairmanship of Swamiji. These two organizations are working hard to achieve the noble objectives of Swamiji.

Viswamandir has become a big meeting center for popular musicians, dancers, politicians, freedom fighters, scholars social workers, humanist, actors Sadhu’s and intelligentsia who are eager to gather there to display their talents in the august presence of Masterji and receive his blessings. Masterji always stresses “ that which is not against any got, any guru, any religion and cast or any class is my path. My path is agreeable to all. I have quarrel with none. My mission is to make all follow the tenets of Sanatana Dharma (our age-old culture and Customs). My ambitions is to reform the human being at the outset. In traditional culture, Love between husband and wife in a family is a must and cannot be compromised at any cost. May aim is to make every family united, stable and an exemplary one. My objective is to activate tem people to work for one and one for ten. My objective of mediation is to bring about renaissance and revive the people with the slogan of Viswamandir namely “ Body is the temple of the heart the Sanctum Sanctorum” Day and night, the, main gate of Viswamandir is open for devotees. Masterji protects his devotees wherever they are. His message reached every nook and corner. Devotees are free to enter Viswamandir at any time. AS for his telephone it does not seem to have any rest. IT keep on ringing with calls from India and Abroad. The love of Viswamji is a perennial flow with out bounds or limits.

Masterji tested the devotion of Smt. and Sri Akula Koteswara Rao in several way s and felt satisfied that it was as genuine as genuineness could be. He molded the house of Sri Akula Koteswara Rao into a beautiful Viswamandir and Dattamandir. Sri Akula Koteswara Rao’s house became consecrated by the lotus feet of Sri Viswamji, acquired fame and name as Viswamandir, Attracting innumerable devotees from far and wide.

The devotees of Sri Viswamji move like members of one family spreading his message to far off places, incidentally inviting every one to Mahayagna of Viswamanva Samaikyata. The devotion of Sri Akula Koteswara Rao couple is beyond comparison. Their selfless service is exemplary.

Previous Index Next